omni-comprehension-the contrary full movie outline.

scene 1:

he tells the audience to rewind
(flashback)
the main character is at school. he finds himself in a confrontation with a kid he doesnt get along with, the 2 get into a heated argument. the 2 meet in the locker room downstairs, as the 2 are prepared to fight each other. the main character loses the fight due and experiences blunt force trauma the the head and forfeits.
(end flashback).
the character is at the bar with his friend and looks back over his blunder of getting his ass kicked, while they order some drinks. the main character is confused about which more to be worried about: his ongoing migraines and head pain or the humiliation of getting his face wiped across the floor.

scene 2:

the main character wakes up the next morning.two days has passed. as he wakes up he is "somehow" healed fully from his wounds. he wakes up to get some breakfast. as he eats his cereal he says to himself in his mind before he makes a phone, with the phone in his hand "a banana would go well with this" a banana pops up in his hand were the phone was. he goes to school and meets up with his friend. he retells him the "strange morning" he had, with his bruises healing after a short 30 hours and the banana incident earlier that day. he recaps over what his friend brought for lunch that day, mexican baked fish. at his friends fish meal, he opens the lids to soon find live flapping gold fish in the Tupperware. confused angry and in a rage about the fish that come alive.

scene ???:

the unknown man walks into the office and puts all his stuff down. he goes to the computer and opens his word document project, but as he inspects the paper, there are edits that havent been made by him.lines that were add to the script that wasnt his own doing. he ponders upon this but due to his dilatory nature, he leaves it as it is.

scene 3:

him and his friend ponder upon the situation, how his powers came to manifest, how he was able to do the things he is able to do. so he recaps the fact "weird things have been happening since the day he lost the fight". the main character rewinds on the past two days
(flashback)
he talks about the day ever since he went to the bar with his friend, he dealt with intense migraines on the way home, and his head was "nearly pounding".he made an appointment for the doctor the next, sacrificing a day and a half of school. he goes to the doctor, asks "what now doc", telling him that he dealt some intense force to the head revealing a tiny hairline fissure to the skull. he gave him some pills to take, but never took them. said if he is still feeling pain to come into surgery.
(flashback end)

he realizes that he "popped something in his brain", unlocking anything they was holding him back for the rudiments of every day life "and then some". his powers are unlimited (short to his knowledge though).

he test his ability by distorting space time and just basically fucking around actually causing a shit load of chaos at his comical dispense. due to his blunders he turns his friend into a rabbit but quickly turning him back to normal.but before returning everything he gets a message(a man dashes down a street handing the character an envelope saying its a message). he leaves for the job interview.

scene ???:

the write and has associate sit in the coffee shop pondering about the wirtes experience last night, after the characters experimentation with his ability's and how it effected him unwilling at the same time. he describes the events as dealing out a million scratches at once, how everything was and tasted like a graphite pencil, and the never ending "blue, red and green". his associate wonders if it was lucid dreaming? or just dealing with personal issues. he links how this reminds him of this new paragraph he wrote in the script.the writer questions his friend and tells him "i think my story is coming to life".pointing out that the script itself makes general additions and changes in direction without him typing or him working on it himself. his friend tells him that he should check out psychoanalytic therapist about this...

scene 4:

the character is at the job interview, having put an immense category of talents and skills (knowing that he could do it anyway) that the job requires on the resume, the interviewer questions the fact if he is just coaxing him to see and hear what he wants to see or if he BSing. just to show an example of what he could do , he takes his wristwatch without even moving or twitching, leaving the interview in awe. the main character likes the interviews phone so he takes it from his person, without moving, once again the interviewer is just sitting there. the character says he is thirsty, the interviewer points out to the water cooler in the back, but quickly objects to the offer saying "his coffee did the trick", the interviewer picking up his mug and how it was from full to empty. the interviewer asks "did you just drink my coffee right now?". the main character replies and also retorts "im also eating your lunch too" as he just sits there in awe pondering on the situation. the main character proves hows he is more than qualified for the job at hand and asks if he can have the position.....and his vest(which he already had on him before asking), he replies and tells him to leave and that he's calling security. taken aback by the fact that they were behind him quoting "they're already here". he leaves the office. on his way out he bumps into a girls and says that she is hot, while she tells him to fuck off he replies and says she should give him her cell number, she tells him to drop dead but the main quickly retorts saying that he already got it, quoting "you gave it to me when you weren't paying attention" playing mind games with her flashing the number on his hand in his face, asking "is this not your hand writing, you wrote it on my palm just now". left in astonishment.

scene 5:

now that the character is at near deity status being able to whatever he wants and has a general understanding of his power, he calls his friend and tells him about his "new world order idea". his friend kept asking him about the interview and told him that he "nearly made him shit bricks".

scene ???:

the writer quickly takes note of the characters actions, whereabouts and plans via the latest script edit. he realizes his mistake and "well this tears it" moment. he makes some additions to the script saying the character meets the writer at his house the next day, and that the writer is impervious to whatever the character does to him if his calculations to what he thinks is true. the writer plots about tomorrow.

scene 6:
the character wakes up that morning. in his bed whilst sleeping, he gets a message (same guy who runs up and gives him the previous message from scene 4)

Tuesday, in march, 20XX. the character is walking up the unknown street, up to the unknown house, up to the unknown man(the writer) who is sitting on the stoop of the house. "i got your message". "we should talk. come inside". albeit the fact the unknown man invites him inside his house, the character truly sees it as another time killer, unwary he enters. a silence grows in the room. the unknown man introduces himself and apologizes for any inconvenience. his name is Kerr Dempsey, an amateur writer. he believes that, he, the character himself is the cause the reason behind his theories. the idea of his thought was true when he received the message that morning to come to his house. Kerr describes everything he has dealt with "like some weird psychological acid trip" he describes his story project for school but the character isn't listening. he hands him his outline. the character the is flabbergasted, on the packet he sees everything he has done for the past 4 weeks, verbatim on the sheet. in a rising rage, questions hims, has he been following him stalking him? Kerr points out how he got the strange powers "your abilities, omni-comprehension: the ability to own and control the universe" the thing he points out is that everything he had planed wasn't suppose to be in that order. Kerr points out to the day is the character got his ass kicked, "it all went awry from there, you were doing things that i hadn't type in the outline. you went on your own tangent and from there on it wasn't my paper to be typed anymore, thats where it all went to hell". he throws a carrot on the table. "fuck is this about?" the character asks. "thats shuffles, he was a beautiful cat............ right before my own eyes" Kerr replies. "every time i sneeze a cat turns into a random vegetable, its part of my new world order plan". sadly to say this is towards Kerr's chagrin. After a good random contemplation between the next couple of seconds, Kerr realizes what the audience has realized before him. the said story within fully annotate the characters where abouts and actions. "i didn't plan on writing half the stuff that was in there". Kerr hands the character the main and first outline, on looseleaf paper. "i see the two differentiation's, i wouldnt really do half the shit you put here". "so you didnt" Kerr retorted. the characters main existence (or his powers) Kerr philosophized was causing a main tremble in the basic balance of "things". he puts two things down on the table. one is a flash drive.if he destroys the flash drive maybe just maybe he will cease to exist(knowing that the main copy is on the drive itself).the second option is he puts blade down on the table,just in case things have to go "the hard way".for the sake of all that is all good he need to exterminate him. so he gives him an ultimatum. telling him that he must choose one of the two, that there is no negotiation. he tries to warp out of the room, but his powers have been negated in the house, due to the writers previous edit in the outline. he tries to grab the flash drive but, Kerr gets to him first. he pulls out the blade. fully realizing its twin blades. he pulls the 2 apart and puts the main character against the wall. both blades about face against him.

Scene 7:

the story begins to unfold where the character decides to begins back from. we know the unknown mans name and purpose, how he plays into the story and how he affects the character.

he is caught in somewhat of a paradox the two. the creation of Kerr's own imagination and thought living and breathing in real time. Kerr says for the good of the world and his, he needs to die. he brandishes the blades once, then twice. then he thinks the deed is done but... he vanishes. a swing and a miss, the blades just hit the wall. right behind him is the character holding the current printed outline, he destroys Kerr's latest edit, the one that negated his powers. .he now has control, steals the flash drive and vanishes. he punches Kerr hard in the forehead. he goes out cold. he warps out. only to wake up later to find a sticky on his head, his blades gone, saying "thanks for the memento, i will return." as the character narrates towards then finish, there sits a disgruntled Kerr in the foreground on the stoop, the movie ends and fades out